Thursday, 3 December 2015

Shooting schedule

This is my shooting schedule for my trailer. It is composed of scenes that I actually haven't shot yet, as I feel as though I need to plan ahead with these particular shots, to get the best quality results.

  • I feel as though this shooting schedule is very accurate.  The time that I have given myself for filming allows me to experiment with different shots that I found were convention in my research of the Gothic Horror genre, such as close ups of the Villains and long takes that showcase the ghost behind the hero.
  • I feel as though it also allows me not to rush the process of filming, taking time to experiment with different angles, and also allowing my actors to experiment with how they want to say the lines, giving me better acting, and therefore making my trailer content better. 
  • It also allows me to set up the Mise-en-scene of the trailer, by giving me the appropriate time to set up the lighting and make sure there is the setting I want to portray in my trailer, that goes along with the dark and scary conventions of the Gothic Horror genre.  

Wednesday, 2 December 2015

Social media

Here is the official twitter account for the Unsettling Tale of Arthur Cartwright, be sure to follow and make sure you stay tuned for any updates!

Tuesday, 1 December 2015

Research into target audience Cover document

During my research into target audience, I found a few similarities of people who are interested in Gothic Horror, in my podcast, I will cover these findings in more detail:



  • The possibility that a lot of the Gothic horror audience will be interested in history.  As most Gothic horror stories are based in the past, and the genre itself being founded in the Victorian age.
  • The possibility that audiences are bored of slasher horror, which was very popular in the early to mid 2000s and 2010s, and are just looking for a story that actually makes them think as well as scaring them.
  • That many Gothic horror fans will be well read, as they have read the classics such as Mary Shelly's Frankenstein, and Bram Stoker's Dracula. 
  • I also want to cover potential class of the Gothic horror target audience, although you cannot say with all proof that just one class is interested in Gothic Horror, I would be leaning more towards middle and upper classes, as the original Gothic Horror books have very complex Victorian language, which may bore some people who haven't been brought up with it. 
  • The gender of the Gothic Horror target audience
  •  Also touch on Horror trends.

Monday, 30 November 2015

Storyboard


Upon researching Gothic Horror trailers I noted that there was a set pattern and a convention amongst the sub genre.  The idea that my trailer should start with a narrator was something I saw in the Crimson Peak trailer, in which the actress starts by saying "Ghosts are real". I felt as though this was a very good idea for my trailer as it made me feel very uneasy, and gave me the feeling that something was going to jump out at me. The creepy feeling I experienced watching trailers such as Crimson Peak, is something I wanted to to portray in my trailer, therefore I felt as though having a narrator would help me portray that feeling.

Another piece of research that influenced my trailer was the Woman in Black trailer. In the trailer, and the film itself, the main source of lighting that the actor uses is a candle. The slight lighting cast shadows across the set and also tapped in the audience's fear of the dark.  This influenced my trailer in the sense that the only lighting I really used was a candle, which equitably lit the scenes and also  added to the creepy  aura that I wanted to portray in my trailer.

Wednesday, 18 November 2015

Gothic Horror movie poster mood board




This mood board showcases the movie posters of my favorite Gothic horror films. I chose these because I feel as though they would be a good inspiration for my poster. The Victorian costume displayed in the bottom left is the costume that I wanted my character to wear.  Also, the mise-en-scene that the trailers are in is identical for the mise-en-scene I am trying to portray.  

Tuesday, 17 November 2015

Location for filming

These are a collection of pictures that showcase where I am filming my trailer. I felt as though the grounds of the stately home pictured would be a very good site to film my trailer.  Below I have written the pros and cons of filming in this location.

Pros 

  • Provides a very good location to film as the wide open spaces allow me to get good long and sweeping shots. 
  • Lots of diversity in the location itself, with woods and open fields etc.
  • Due to the size you can't hear cars and other modern vehicles.
Cons 
  • At the mercy of the weather
  • Not allowed in certain areas after dark

Friday, 13 November 2015

Soundtrack idea for my trailer.

Here is piece of music from the Woman in Black soundtrack which I think will go very well with the genre of my trailer. Since the Woman in Black is a very successful Gothic Horror story I feel as though there soundtrack that has been composed will be very suited to my trailer, as it fits into my genre.

Thursday, 5 November 2015

Time line plan

7th of September- 1st day of A2 and Year 13 

During this time I will look to research the relevant theory and the history of film trailers. I will also start to develop various ideas for my trailer, and start looking at the different conventions of the genres I am interested in. I will look at various Gothic Horror trailers and slasher Horror trailers to see if there are any codes and conventions that I can include in my trailer. I will also look a various other genres of trailer such as action, to broaden my knowledge of how trailers help market films in every genre.

1ST November-14th of December

During this time I will complete the filming of my trailer, and start on editing it. This will involve putting the research and planning I have been doing into action, and also organizing various locations to film in and costumes for my actors to wear.


7th December

Class evaluation week. 




5th of January 

First draft of the trailer

22nd of February - Final deadline

This will be the time I shall add the final touches to my trailer. I shall make sure that all the editing is done correctly and that the sound is properly synced, and potential cutting, and also making sure the special effects are well done. 

Wednesday, 4 November 2015

Dialogue and script

Dialogue
Shot
“The story of Arthur Cartwright is somewhat of  unpleasant tale. It does not end happily ever after like most stories of the paranormal, but instead showcases the dangers of communication between their world and ours,  telling the story of a broken man, whose loss almost drives him to madness. So leave your rational mind and your critical thinking behind, and listen to my tale. But be warned, it is far from explanation, and even further away from a lie”. 

Arthur " Who's there show yourself, this is private property"

Amber or filler : Scream in his face and the candle goes out.



 Doctor : Mr Cartwright i'm Afraid your wife isn't well. 

 Arthur to his wife: Please just don't go, not like this.
 * Joseph and Arthur walk after visiting her grave*
Joseph : You should leave this retched place behind Cartwright, staying too long in the past is good for no mans health"
Arthur : Why can't you see I have to, this is home.

 Then cuts to Arthur sleeping and waking up to see Emily at the foot of the bed. She screams and then as he turns on the lights she dissapears.

* This is the point where the trailer starts to pick up speed, and Non-diegetic  music starts to play*

Stable man : Mr Cartwright there are certain powers on this Earth that you just don't want to meddle in*

Arthur to Joseph : Something isn't right in Cartwright manor.                                            

Arthur : " Hello? Madam are you alright
Amber : YOU DID THIS TO US.

Joseph : Dear god Cartwright what have you done




Arthur :HOW CAN I HELP YOU?! WHY ARE YOU TORMENTING ME SPIRIT
* Ollie walks topless with " hell" written on his back over and over.

To finish to the trailer there is a long shot of Arthur walking into a dark room and turning sharply round. 
 Camera starts in a close up of a hooded man, and slowly a pan away as the monologue is spoken.
-          Only a candle light to light the room.
-          An old timely book to read from.
-          The shot will begin in the pitch dark.
       As I get half way through the narration, it changes to the shot of Arthur walking through the woods with the candle

-      Cut to a shot of Arthur wandering through the woods with a candle in his hand looking scared.
     - There will be no sound apart from his feet on the ground.
     - Then someone will jump out at him and blow out the candle.
      
     * Then the studio logos roll, plus " from the twisted mind of William Hadden"


     Show a shot of Emily in a bed with Arthur looking depressed.
     

     
      Shots of them walking and talking, some over the shoulder shots to go along with the conversation.
   

   
                                                                                 
     - Shows Arthur scrabbling for the light switch close up of his face when she is gone.






       
      * Shots of Arthur reading old books by candle light* 
     - When the ghost seen occurs have objects flying around the room
    - Glass smashing

     Shows Arthur waking up to Amber sobbing curled up in the corner
     - Over the head shots of him approaching the figure 
     Then amber snaps and grabs him and the shot is from ollies shoulder 
     
     Shots of Joseph and Ollie dodging various flying objects.
     Shot of Amber charging at Joseph 
   
     - non diegetic music playing over the action shots.

      roll titles on the screen saying " Some family secrets should be buried deep"
       
     The shot follows Ollie into the room and then you only see a glimpse of Amber, and then the camera cuts to the release date.

Monday, 2 November 2015

Research into costume and prop

Costume

For my trailer I wanted the costume to be quite faithful to the late Victorian age, which saw the transition from traditional Victorian suits to the more modern suits you see today.  For Arthur, I wanted his costume to reflect his wealth. Therefore, his costume revolved around a more modern suit, to reflect that he has noted the change in fashion, with more traditional attire, a top hat would be ideal for this and also a traditional pea coat to also add to the traditional side of his costume. The pictures below show the different kinds of suits I want to be blending into Arthur's costume. I wanted Josephs costume to have the same kind of feel to it as Arthur's as they are both men of a certain class in Victorian society. The only item of clothing I had to provide to my actors was the top hat, as my actors already had black suits to wear as costumes to use for the trailer. However the design for the spirit of the story proved to be a bit more challenging.











I wanted the spirit and main villain of my trailer to have various characteristics of famous horror movie ghosts. I looked to films such as The Woman in Black and the Others for inspiration on how to costume a convincing ghost. Especially a woman specter and a child spirit. What I found conducting my research was that female ghosts are usually centered around a wedding, being left at the alter or having dressed in a black dress as was common for woman in morning at the time my trailer is set.  The long flowing gown that looks worn and dirty is something of a convention among female ghosts, an example of this can be found in the Woman in Black's costume :
As is apparent, her face is covered by a long flowing veil, very similar to that that would be found on a wedding dress. The connotations of a veil are usually associated with mystery and morning, which comes from Queen Victoria mourning over her husband.  The look that the Woman in Black was given is designed to be very unsettling as you can only see a brief outline of her face, which ties into the mystery that the spirit is supposed to convey in the film. For the ghost of the young woman I did look into using an old ball gown for the shoot. However, upon asking the actress whether she would have one to spare the answer was no, and also upon looking at certain prices on ball gowns I found that they were way over my budget. Therefore I decided to go for the blood stained dress type look. This displayed below:                                                                                


The ghost of the woman is supposed to very bloodied to reflect the hardships of torture she had to endure, so the blood stains on her top are not only to unsettle the audience, but also to go along with her backstory and also to convey how her spirit is still left in the past. Her daughter will also have the same costume.

Prop

The only props I will be using for my trailer are two candles and some torches. I will do this to add to the general unsettling scenes of the trailer, and also candle light gives me the right amount of lighting I want my characters to have especially at night. The torches will be used for certain scenes as well, however they will most likely be used for supplying an extra amount of lighting if the camera cannot pick up the candle light. 

letter of permission


Wednesday, 21 October 2015

Horror genre survey

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Monday, 19 October 2015

Plot of my film

Basic synopsis
the film is the telling of the story of Arthur Cartwright, a wealthy young noble who upon his return from fighting in the Boer Wars in South Africa reunites with his wife who eventually dies of consumption. Consumed by grief, he struggles to keep the estate afloat and deal with the post-traumatic stress he got from the wars in Africa. He eventually gives in and visits a well-known medium who gives him the means to try and communicate with his passed wife. When he tries to contact her alone in the manor, he finds that the house has a very dark past of hideous torture and murder, and that he has awoken the spirit of a young woman who anger at her untimely death is inconsolable. Arthur starts to experience terrifying supernatural events that led him to part of his manor he didn't even know existed, and that expose the dark secret of his families past.
The film will start with an unknown man reading aloud of the story, breaking the fourth wall as he directly talks to the audience. He starts reading the tale then it goes into the actual film.

Arthur's backstory
Arthur is the heir to the Cartwright fortune and was born in 1888 in Cartwright mansion, from a young age his parents kept him away  from certain areas of the house, the basement was off limit until he was of the age of 18. However, he was sent away to boarding school in faraway Cumbria, were he excelled at sports and sciences, whilst he was at boarding school his parents stayed in the manor, rarely travelling far from the manor and the village that resides near. The villagers do not trust the Cartwright's, due to the families long history of abusing the populace of the village long ago, and some people going into the mansion and never coming out. Throughout his schooling career he would come home on school holidays and usually go to London, where he attended grand parties with his school friends and tried his best to stay away from the manor and his overly traditional parents. After school he attended Oxford university to study classics, and quickly becoming bored of that started to spend his vast loans on drink and woman, much to the disapproval of his parents.  When he left university he quickly turned his attention to join the army, and quickly joined Sandhurst and trained to become an officer, it was at the graduation party that he met his wife, Elizabeth and they were married soon before he went to his station in South Africa. With the death of his parents when he was half way through his training, he inherited the Cartwright fortune and moved his wife to the manor, where she was looked after by the army of servants under the employment of the Cartwright's, the basement of the manor was sealed off by the parents before they died and the room was quickly forgotten.

In his first tour of South Africa in 1901 Arthur was put in charge of the Welsh guards, a hero unit of the Zulu wars and he quickly gained the respect of his troops with being a strong leader in a brutal guerrilla conflict. Although he shows outstanding bravery in the field the war has affected him greatly, and he starts to show signs of post-traumatic stress disorder. This apparent when he returns home after his first tour and is troubled by dreams and normal noises such as doors closing. However, despite this he still seems to be his old self and is enjoying being home, but that soon changes when he is called back into service due to the way the war is going for the British. Around the same time, his wife starts to show signs of consumption, but he has faith that she will be properly looked after by the family’s personal doctor. Arthur's second tour of duty is the one that pushes him over the edge, as he struggles to deal with the fact his wife may be dying and the increasingly brutal nature of the conflict. After the wars end in 1902, he returns home just in time to see his wife just before she dies, which is where the story starts and the tale begins.

The plot
the film begins with Arthur just after his wife's funeral, sitting in his drawing room still in his black suit. As he sips on his brandy his friend and fellow soldier Joseph Sampson enters and sits with him. It is revealed that Arthur deliberately didn't wear his military uniform to the funeral as he wants to leave the army behind him, his friend showcases his concern for Arthur as it is obvious his drinking has increased, he suggests using part of the vast Cartwright fortune to travel to help him cope with the loss. However, the demands of running the estate, which Arthur knows nothing about, seem to take over as Arthur starts to become more serious and business like, much to the disgust of his friends and servants that have known him his whole life. Whilst asleep, Arthur is tormented by the scenes of war he saw in Africa and awakens to find himself in an empty bedroom. However, upon trying to get back to sleep he looks up to find an apparition of his wife's decomposing corpse is standing at the foot of the bed, he panics and turns on the lights to find that there is nothing there. It is obvious that he has been hallucinating and decides maybe that he needs to get away from the manor. He gives the servants in the house a paid leave and uses the rest of the money to prepare to travel. However, whilst in London he finds a shop for the supernatural, and convinced that his wife's apparition was not a hallucination he buys a Ouiji board and whilst in the manor alone, tries to contact her through it.

After a brief moment of happiness when he thinks he has made contact with her, the message suddenly becomes very sinister, spelling out "WHY, THE PAIN WE ENDURED" as he backs away from the board various objects begin flying around the room, and the power goes out. In the silence Arthur finds a torch and upon turning it on, looks over his shoulder to find a ghostly young woman who then screams at him as he drops the torch. He eventually regains his composure and  finds the torch again only to find that the ghost is gone. During the next few days Arthur begins to have terrifying dreams of people screaming and ghastly scenes of torture from people being flayed to people having their arms and legs amputated. The dreams seem to take place in a large room that is underground. The dreams alleyways end with the ghost of the young woman pointing at him and screaming. Arthur also sees the woman around the manor and objects frequently throw themselves around rooms and the piano on the ground floor of the manor starts to play sinister music in the dead of night. Arthur writes to Joseph urging him to come to the house to see the activity for himself, and Joseph reluctantly agrees, thinking Arthur has gone off the rails. One day Arthur awakes in excruciating pain and rips off his clothes to find that the word " Down to Hell" have been written over and over into his skin, burning the words onto his back. After showing the scars to Joseph he starts to believe what Arthur has been saying. Both men awake the nigh of Josephs arrival to find the apparition of the young woman, now accompanied with another apparition of a little girl, they follow them towards the walled up basement, and they disappear through the brick wall. Arthur and Joseph see that the spirits want them to follow, and proceed to get to work breaking down the brick wall. When the wall falls, the staircase to the basement is revealed, and the two men go down to find a bug timber door has been sealed, connoting that Arthur's parents didn't want anyone to go in there, after they break the door down they find that there is nothing unusual about the basement, with only crates of old wine of interest. However, upon investigating the basement they come across a hidden handle, that when pulled unlocks a latch on a seemingly normal wall. When the two man open the wall, they find another staircase which looks at least 800 years old. They go down the spiral staircase and find that there is a barred door. They pull down the metal bars and the door opens, revealing a gruesome discovery. The room from Arthur's dream falls out before him, dozens of cages with decomposing corpses and skeletons in fill the room, along with various medical and torture equipment, the room goes on to reveal various medical tables with straps on to obviously hold down the victim, and hollow walls that when the two men knock down, reveal that there are some people who have been walled up alive due t the scratch marks on the inside of the walls, and the various rope bindings on the roof. the skeletons behind the wall are various men, woman, and even children. Sickened by the discovery Arthur proceeds to be sick, whilst Joseph looks around, he finds various graffiti with years etched in, dating back all the way to the 1500s.
Another room in the chamber reveals a desk with a big book on top, upon reading them it became clear to see that the Cart wrights have been kidnapping and torturing members of the village for centuries, first off because they didn't pay their rent, then for the sake of it. The book also revealed that in the that 1700s the Cartwright used to hold parties where the guests could drunkenly torture the victims that the Cartwright's kidnapped, this practice has been going on all the way to Arthur's parents. The book shows that they stopped due to the increasingly competent nature of the police and also the lack of police officers who they could bribe if they found out, therefore they left the most recent victims for dead and walled up the basement and the chamber hopefully for good. Arthur then realizes he contacted the spirits of the dead victims and his presence in the chamber has angered them, poltergeist activity increases in the house and becomes aggressive to both Arthur and Joseph.  Having no idea how to stop the activity, and due to the village peoples distrust of the Cartwright's, the local vicar refuses to help them exorcise the house. So they take matters into their own hands and decide to do it themselves. During the ceremony, a ghost knocks over a candle and sets the house a light, as the house burns the ghosts do numerous things to try and keep the two men inside the burning building, they escape the building with very bad burns and sit there in disbelieve as the manor burns down, and stay until the house collapses.
It is later revealed that Arthur ended up moving to the sea side, where he traveled the world looking for paranormal incidences, and trying desperately to reform his families honor and bury their sadistic past. He sets up numerous charities for the poor and uses his vast fortune to help the village people pay off their land lords, in turn making sure the Cartwright's family name is remembered more fondly than before. It is then revealed that shortly after the incident at Cartwright manor Joseph suffered from severe panic attacks and nightmare, he later killed himself by hanging himself outside the ruins of the house. All previous servants of the house were released with pay, and told not to go back to the ruins of the manor.
The film then cuts to the man originally telling the story, saying that the land that Cartwright manor used to sit on is now haunted by the ghost of Joseph, who comes up to passers-by and yells them to run from the ground. It is also stated that his spirit is still seen hanging from the tree outside the house. The camera then pans out to show the ghost of Joseph standing behind the narrator, as the narrator smirks the lights go out and the screen is plunged into darkness.

Theories 
I wanted the character of Arthur to be his own binary opposite in compliance to Strauss's theory. I felt as though it would be good to have a character who has very good yet very bad traits about him. He is families binary opposite as well as himself, this is because the Cartwright family are sadistic serial killers whereas Arthur is a lot more generous and good nurtured. This is one of the biggest sources of conflict between him and his family. He also has conflict within himself for the horrifying atrocities that he has committed in Africa, whilst being as great of an actual person as he is. The theme of post-traumatic stress disorder is something I wanted to explore as well, which links to Strauss's theory of Binary opposites within one character, as the guilt caused during war puts ex soldiers at war with themselves almost.
I also wanted to add a lot of Equilibrium to Arthur's backstory, and quickly change the narrative to a more De-equilibrium stance later on in his story. I also wanted Equilibrium to never be achieved after the events of the story by some characters, as I felt as though it is an unsettling part of a story that things never truly get better for characters.

Tuesday, 13 October 2015

Target audience research in depth



Researching the target audience of the Gothic Horror genre, and also gaining an insight into the different conventions, and even asking my focus groups on their opinion of certain parts of the genre, has influenced my trailer hugely.
In this video, I take a look into the different characteristics of the Gothic Horror audience, without generalising them as a whole, taking into account that some people may just want something new out of horror, rather than the standard slasher flick.
Upon looking at my target audience, and seeing the direct correlation between the love of Victorian literature, and love for the Gothic Horror genre, I decided to set my story and trailer in the late Victorian age. This is because I wanted my trailer to go with that convention of the genre, to attract the audience members that would be interested in history and Victorian literature.  I also decided to set it in this time period as very successful Gothic Horror films such as the " Woman In Black" were set in the late Victorian age, were scientific theory and rational thinking had taken over from the superstition that as displayed throughout the 18th century.
This to influenced my trailer, as I wanted my characters to have the rational, scientific mindset that was just developing in that time period, and have it challenged by the supernatural occurrences in the story. This is also a convention of the Gothic Horror genre, and is a very big plot point in ghost stories set in the Victorian age, as displayed also in the Woman In Black.



Crimson Peak trailer analysis



Mise- en-scene 

The trailer opens in a very conventional way, but adds to the mise-en-scene of the trailer hugely. The trailer opens with the production companies that are actually making the film; universal and Lions gate. The logos add to the mise-en-scene of the trailer as they are shown drenched in blood, which of course adds to the general creepy mise-en-scene that is seen throughout the trailer. The mise-en-scene of Crimson Peak goes along with the general convention of the Gothic Horror genre, which is usually set in a very dark and period setting. This convention is followed with the shot of the actual manor house, which is seen almost decrepit and in the setting of a very dark and snowy night. This gives the viewer connotations that the house shown in the shot is where a lot of bad things have happened, due to the eerie silence that falls as the house is slowly closed in on. The Gothic architecture  of the house is very conventional of Victorian manor houses, and also re-enforces that the film will be a period dramas due to the lack of modern items in the front of the house such as cars. The opening shots of the trailer already make the viewer unsettled as the house that is displayed is sitting in complete silence, which almost makes the viewer anticipate a jump scare. The next shot shows the interior of the house, which is made of of exaggerated Gothic features, such as a huge grand staircase and over exaggerated ornaments in the corridors of the house shown through various shots. Even in the first few shots of the trailer, the mise-en-scene of the trailer is highlighted as being very creepy, and that the viewer should anticipate the house having bad things happen in it.

Throughout the trailer, the shots of scenes from outside the house are seen as fairly normal. For example, as shot of a ball and people walking in a park. This is done to emphasis even more that the house is not a safe place, which in turn adds to the feel of the trailer as the main character is seen actually moving into the house. Throughout the trailer, you can see how the house looks like it is alive due to the shots of red liquid dripping from the walls, which of course connotes that the liquid is blood, and although it is stated by the characters in the trailer that the liquid is clay, the viewer always associates the liquid with blood.  In the latter stages of the trailer, the basement of the house is revealed, and adds to the mise-en-scene and the unsettling nature of the trailer. The shots show how the walls seep even more red liquid than the interior of the house, and reveal various cells and torture devices.  This adds a sinister nature to the mise-en-scene of the trailer and the unsettling nature of the trailer.





Narrative
The narrative of the trailer gives away the basic plot of the story, whilst concealing enough to make the audience want to know what the " secret" is that the trailer hints at. The narrative of the trailer sees the main character falling in love with a very wealthy man, who lives in the house that the trailer has already shown, and has connoted that the audience should feel suspicious  of. it is also clear to see that there are numerous sub plots that the film makers want audiences to be aware of before going into the film. The romantic sub-plot of the film between Mia Wasikowska and Tom Hiddleston character is openly displayed in the trailer, highlighting how the film makers want the viewer to see that it is a crucial part of the fillm. Numerous other sub-plots are revealed, such as the secret that many of the characters refer to, which in turn leaves the viewer curious as to what Tom Hiddleston's character is hiding. You also see in the latter part of the trailer that there is another potential love interest for Mia Wasikowskas character, which leaves the viewer assuming that there is another source of conflict.  From what is revealed from the trailer, it looks as though the story is centered around Mia Wasikowskas character, who is thrown into the haunted house though a marriage to Tom Hiddlestons character, who has secrets to hide.  The film also seems to focus on the theme of how wealth was used to hide horrible deeds of the upper classes during the Victorian era.








Representation
Representation  in the Crimson Peak trailer seems to be very convention of the Gothic Horror genre, and also the Horror genre as a whole.  Mia Wasikowska's character is represented as being the damsel in distress throughout the trailer, and her innocent nature adds to the feel that she is in trouble.  This is a very common convention in the Horror genre, which usually has a female as a clueless victim of a wider plot. However, throughout the trailer it is evident to the viewer that she is not presented as stupid compared to other female Horror movie victims, she is seen openly questioning her husband as to what has happened in the house, and also openly seen fighting ghosts and looking out for herself. This representation is a complete contrast to Jessica Chastains character, who is represented as being devious and cunning, a very unconventional representation of females in the Horror genre. The representation of the males in the trailer is also very conventional,  yet it defies the stereotypical Horror movie villian. Although obviously a villain in the film, Tom Hiddleston is represented as being a charming dashing gentlemen, who seems reluctant to do anything to Miaa Wasikowkas character, who is portrayed as the victim. The narrative of the trailer reveals  a basic out line of the plot, and also the various sub-plots that the movie follows, which the film makers want to make the viewers aware of, to entice them to go and see the film.






Link to theorists
The trailer links to Laura Mulveys male gaze theory throughout the trailer. This is because Mia Wasikowskas character is always presented in a beautiful heavily made up fashion, even when she is running away from the house in the snow. She is also shown in various pieces of nightware that are very short and tight. In the latter parts of the trailer, female gaze and male gaze are used when Tom Hiddleston and Mia Wasikowskas character are seen engaging in intercourse,with the shot focusing on both the actor and actresses bodies.

Focus group

Below is the focus group that I conducted, to get peoples opinions on the certain aspects of the Gothic Horror genre.  The information that I gained from conducting this focus group has influenced my trailer hugely, and I feel as though I got all of the answers I needed.

  • One thing from the focus group that influenced my trailer, was aspects of the mise-en-scene of Gothic Horror. When I asked the focus group on what aspects of mise-en-scene they expected from Gothic Horror, the responses ranged around an old fashioned Victorian mansion that had been abandoned, and also they expected all of the scares to happen at nighttime. This influenced my trailer hugely, as I decided to shoot all of my shots in the dark, and lighting he scenes only with candlelight as I feel as though it adds to the overall Mise-en-scene of the trailer, and also goes along with the information I gained from my focus group.
  • During the focus group, a very interesting point was raised about the camera shots of the villain in Gothic Horror films such as The Woman In Black and Insidious., and it has influenced my trailer hugely. I found during the focus group, that long takes of the Villain walking in the background, and quick close ups of the villains face made the people in my focus group feel uncomfortable, and also having good make up is important for the scares in those shots to work. This influenced my trailer in the sense that during it I want to have various long takes of my main character walking through the house, and the ghost walking behind him, all done in one long take, with no diegtic noise. I feel as though this is a good shot to have in my trailer, as it could be a good establishing shot, and also goes along with the conventions of the genre. Another shot I plan to use is the close-up shot that was discussed in my focus group. This is a very unsettling shot if the sound and make up is right, so therefore it has influenced my trailer as I have to make sure my actresses make up is very good, other wise the scariness of the closeup shot will be lost. 

Thursday, 24 September 2015

The Bank Job trailer analysis

The Bank Job 2008 Trailer from Dziaulis on Vimeo.

The Bank Job is a 2008 action thriller, directed by Rodger Donaldson and starring Jason Statham  as well as Saffrom Barrows. The film itself is loosely based around an actual bank robbery that took place at Baker Street in 1971. The trailer uses many devises to try and engage audiences in the trailer, as clearly seen in the structure and iconography of the trailer.

The trailers soundtrack is heavily used in the film, the song " London Calling" is a perfect choice of soundtrack for the trailer as the singer has an iconic London accent, which all connotes the class difference in London during the 1970s. This relates heavily to the main character, who is a struggling mechanic, who shares the same accent as the singer in the song.  Which makes audiences compare the two, portraying the lead character ( Jason Statham) as being important.

Another aspect of the trailer that highlights the class difference is the contrast of London that the lead actor is in, compared to the mise-en-scene that the characters are seen in the two opening shots. The contrast is that the colors and iconography of the two opening shots are very bright and beautiful. The first shot opens with the camera looking out of the crystal clear sea, which in turn makes the viewer think that the two characters shown are in a tropical part of the world. The second shot of the trailer shows the two characters we previously saw engaging in intercourse, in a very beautiful looking villa.  The mise-en-scene of  opening trailer then changes to a very bleak looking London, especially the part that the main character is seen in, which looks rough and scruffy. Therefore, immediately as the trailer opens it highlights a certain class difference between the main characters and the people in the opening shots. This idea that the main character is lower class is then reinforced in the shots of the police station, of which the interior is very decadent and polished.

The tone of the trailer changes throughout, the two extremes being a tone of carefree nature and fun, then towards a more serious approach, in which actual danger is highlighted. As I stated before, the opening shots of the trailer showing the two characters in the beautiful scenery, connotes a very carefree and happy tone to the trailer, easing the viewer into the trailer and making them put their guard down. However, the tone then changes again very quickly as it becomes obvious that someone is taking pictures of the two characters engaging in intercourse, which connotes a very shocking tone as the viewer assumes that the photos will not be used for good purposes. The trailer then re enforces the gravity of what the viewer has seen, with two of the police officers having a conversation. The police men state : " Unsavory pictures of one royal princess" which not only reinforces the class difference between the main character and the characters in the opening shot, but also challenges the convention representation of the Royal family, which is comedic as it shows them as promiscuous.  This comedic tone is kept throughout the trailer, through the use of commentary by the characters and jokes followed by shots of characters laughing.  However, then the tone takes an even more sinister approach as it becomes clear by characters saying " why don't you tell us what this is really about" and the shots of men in black suits with weapons, that the robbers have committed a crime on the wrong people.  The sinister tone is then reinforced by shots of one of the robbers being tortured, and running from men who are obviously chasing them. The soundtrack of " London Calling" and its heavy nature is used to connote the danger that the characters are in, as the feeling of being in danger were ever the robbers go in London is shown by them being chased by police and gangsters.

Costume is also used throughout the trailer to promote the 70s era mise- en-scene. The use of various 70s style clothing such as turtle necks are used, combined with other various items of clothing. This is almost used to also promote the comedic tone of the middle part of the trailer, as their attire links into the modern day perception of fashion in the 70s, in which we think its outdated and odd looking. The trailer plays with this idea, and it re enforces the mise-en-scene

Thursday, 17 September 2015

Case study: Psycho trailer

The trailer for Alfred Hitchcock's Psycho changed the codes and conventions of movie trailers and changed the way movie trailers were made and how they advertise their movies. Psycho came out around the time that the " star director" phase of Hollywood was coming about. This was a time when influential film makers such as Alfred Hitchcock started to use their fame to advertise movies by actually being in their movies trailer. Psycho, which changed many of the conventions of horror, had an equally unconventional trailer. At the beginning of the trailer, Alfred Hitchcock is seen at the set of his film that he describes as a " quiet, normal motel just off the highway" the use of diagetic sound and lack of musical score at the start of the trailer, defies the convention of movie trailers at the time and also adds to the general tension of the trailer. Hitchcock voice itself is very melodramatic and also adds to the general tension of the scene.


 Camera work 

 At the beginning of the trailer, there are multiple camera shots of someones body parts, such as hands and feet, as well as the iconic blood mixed with water scene. These close up shots display that from the start that some sort of attack has occurred. The trailer then cuts to a shot of a silhouette of a man, with a knife in his hand. This provides a chilling and disturbing feeling to the scene, as it enables the audience to piece together the close up shots and realize the man with the knife has committed the crime. Camera work in the trailer is unconventional as I explained in my introduction. An example of this is the establishing shot that displays Alfred Hitchcock standing on the set of his movie, explaining what happened in the scene we saw before. Convention of film trailers at the time was that the shots would then explain the basic narrative of what is happening in the film. Therefore, having the director actually explaining what just happened in the scene is very unconventional and was almost unheard of at the time. As I stated before, Hitchcock's melodramatic voice and dead pan expression add to the overall disturbing nature of the scene.

                                                                                                                                          Mise- en- scene 

Low key lighting is used to create an aura of terror and to tap into viewers fear of the dark, when psycho came out    most films were in color, so the fact that psycho is in black and white is supposed to connote a feeling that it is almost too horrifying to show in black and white. The contrast between the actual motel, which looks very normal and non threatening, and the house in which the villain lives in is very big.  The house looks very much like the conventional haunted Gothic manor, which has become a norm in the horror genre and shows how Hitchcock combines aspects of both horror and thriller in the trailer. This effects the audience by making them feel uneasy about the contrast between the motel and the house.  The use of the shower is supposed to connote feelings of being vulnerable as in the shower you are naked and nude is usually associated with vulnerability, therefore the killer committing the crime whilst the victim is in the shower  is designed to shock audiences and make them feel unsafe, as they can relate to the vulnerability of being naked in the shower.




       

Wednesday, 16 September 2015

Codes and Conventions of the action genre



The Expendables Movie Trailer from nangipad on Vimeo.


Codes and Conventions of Action Genre
·         12/15 certificate, maximizing the age demographic of audiences
·         Often hybridised with other genres such as  Sci Fi/Adventure/Romance
·         Major Hollywood studio produced and distributed
·         High production values including CGI FX. Fast paced editing
·         Classic Hollywood 3 act narrative structure ( beginning, middle, end) 
·         Predictable chain of events – cause and effect- can guess the ending. 
·         Single stranded, linear, closed narrative, not a complex story
·         Dramatic non-diegetic soundtrack

·         More narrative action codes than enigma codes
·         Clear binary oppositions- good and bad guys 
·         Star Marketing: Audience identification/expectations (Cruise/Pitt/Willis/Thurman/Jolie/Stallone/Craig/SchwarzeneggeDi Caprio…). Generic Typecasting and Secondary Persona apply- big names to go with the character personalities. 
·         Romantic sub-plot, Humorous dialogue, lots of comradeship  
·         Relationships with new technology (youth audiences) 
·         Dominant representation of gender: male/female action hero. Mulvey’s male gaze and contemporary female gaze can apply,  mainly male heros, sometimes one female will be a hero. 
·         Uses and Gratifications theory can be mapped onto Action Films


All the different codes and conventions of the action genre are designed to excite audiences and make them amazed and invested in the action. After watching " The Expendibles" and the "Taken" trailer, it was very apparent that the genre differs heavily in terms of story and narrative.  The Expendibles seems to take a lot more focus on the action, which is almost super human as it involves all of the actors almost leaping into fights, with the action intensified by close ups and quick shots of the battle. The conventions of action are somewhat broken in " taken" which takes it stroy a lot more seriously. However, many of the codes and conventions are still there.

In the Expendibles trailer, immediatly the conventions of a major Hollywood studio poducing the film, and a " voice of god"  narration of the trailer. This is supposed to add a sense of suspense as the tone of the narrator is very masculin and deep. The way the narration states that " the only world theyve ever known is war"  connotes that they are professional killers, which appeals to the audience as it means that they will get to see good quality action. It is worth noting that the majority of audiences who watch action films are male, therefore the conventions of male gaze are used in the trailer, and the romantic sub-plot used to add some sex appeal.  Researching the codes and convention of action also highlighted how simple some action films can be, with a straighforward begining middle and end.  There is sometimes a slight twist in the tale, but usually the narrative is very linear.
The differences in " Taken" to the Expendibles are very obvious. Taken takes more time with buildings its narrative and characters, and also succeeds in hitting home the serious themes that are involved with the story, such as sex slavery and human trafficing.

Tuesday, 15 September 2015

sources of research for the history of trailers.

For my research on the history of movie trailers I used the website filmmakers IQ. This website had a video explaing the history of the fil trailer throughout the ages, and i felt as though it was a very reliable souce as the website covers many aspects of the history of film very well. http://filmmakeriq.com/ I then proceeded to conduct my research in the written paragraphs that discussed the evolution of the movie trailer. http://filmmakeriq.com/2014/03/the-history-of-the-movie-trailer/

The history of movie trailers

Tuesday, 14 July 2015

Adobe tutorials

The first thing I learned to do when I started working with Adobe Premier is how top cut shots to make them short, and to get the shot that I wanted to use. The scissor symbol that is displayed on the shot is what you need to press to cut the shot.



Here displayed in the picture is the scissor symbol that needs to be clicked if you are going to cut the shot. Here I cut this shot as the full shot had a blooper that I could not use in my actual video. As a result, I cut the blooper out of the shot and used shots were the actors didn't make any mistake.

I also learned how to add music and sound effects top my clip, which came in very useful in introducing the clip and also made it seem more interesting to view. To add the music you must first locate the music option on the bottom right hand option bar.



In the bottom right corner you can see clearly the music option, on which clicking it gives you multiple pieces of music which you can add to you clip. The music you add can go over the two actors speaking and you can also put the music over titles which you can use. The golden bar that is displayed by my clip is the actually musical piece I put into my clip.  You can control the duration of the music by extending the bar.

I also learned how to apply certain effects to the clip. I learned how to do this through trial and error and playing around with the technology. You can add numerous effects to the clip that change many things, such as lighting and even adding effects such as lightening. A lot of the effects that I experimented with were not very appropriate for what I was trying to do with my clip. For example, effects such as lighting and distortion of the actually scenes took away from what I was trying to actually do with the clip, which was to make it professional as possible .

I changed the lighting of the clip by going to the applied effects button on the top right margin of the screen. From there you can click the lighting options tab which comes up with numerous options of how to change the lighting.






Wednesday, 24 June 2015

cinematography research

http://www.slideshare.net/mattheworegan/cinematography-lesson-2-development-of-cinematography?qid=67ff6e58-9430-48a0-bf55-29f9dec2fd1a&v=default&b=&from_search=1

Cinematography - Cinematography is the science or art of motion picture photography by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light sensitive material such as film stock.
Cinematographers work very closely with the directors onto which shot would be the best for the scene. They shoot the scene from numerous angles to determine which one would suit the scene best, and what they were trying to portray. Conventional camera shots usually differ with each genre. For example, big battle films such as Gladiator usually switch between long shots showing the battles, and then switching to quick motion shots. 
Cinematography is a symbolic code, which is often used to establish the start of a film. Establishing shots are used to display the setting and make the audience feel a certain way. An example of an effective establishing shot is seen at the beginning of Star Wars: 
This is a very good example of how cinematography is used to add a sense of suspense. The shot stays in the exact same place revealing space and the planets below, then, stays in the same place as the large threatening ship flies over. The use of cinematography helps portray a sense of dread to the audience that the director wants them to have towards this ship. 
The art of cinematography has evolved a lot since its founding. It is widely used as a symbolic and technical code to promote feelings to the audience.  It also helps establish the film and makes the film more interesting to audiences. 

A convention of cinematography in the horror genre is the shots that illustrate how isolated the victim is, usually through the use of wide shots to show the isolated location. The lighting used in the horror genre is usually very dark in places, with light being focused in another section to illuminate a part of the victims face, an example of this convention is in the horror film “The Exorcist" :

This shot is a very common convention of cinematography, as it is used to make the atmosphere for the movie. The lighting used in this shot highlight the character, whilst there is darkness all around him. This is supposed to add a sense of foreboding towards the area the character is in, but also to portray the character as the light in the dark, connoting good feelings towards him. 

Image result for the exorcist
shining1
 
This cinematographic convention is also seen here in a shot from “The Shining", were the villains face on the right side is highlighted, whilst his left is darker, this makes the villain seem more foreboding and menacing and combined with the threatening expression on his face it helps portray the villain as being part of the darkness.
Cinematography movement
Cinematography uses all sorts of camera shots and angles, and cinematographers and directors work together closely, sometimes shooting a scene from each angle and shot until they find the one that they feel is best.
As I have studied TV drama at AS level I know the camera movements used heavily by cinematographers, the main shots used are:
·        Pan- A shot that moves sideways over a straight line.
·        Tilt- A shot the moves up and down
·        Dolly- A shot that moves the camera forwards and backwards
·        Track- A shot that tracks characters or an object in the scene.
·        Pedestal- In a pedestal move, the camera will physically be lowered or elevated.
·        Zoom- When the camera zooms in on an event or zooms out.
These are the basic shots used by cinematographers when filming a scene; the process is usually very long as the scene will usually be shot from different angles and shots until one version of the scene is decided to go into the final cut.